Carlo Mendoza is a multi-awarded Filipino cinematographer who recently finished his MFA in Cinematography at the American Film Institute (AFI) Conservatory in Los Angeles, California. Before coming to AFI, Carlo has photographed more than a dozen feature films since he started his career in 2007, including Jun Robles Lana’s “ Bwakaw” (Philippine entry to the 2012 Academy Awards, in competition at the 2012 New York International Film Festival), “Manila Kingpin: Asiong Salonga Story” and “Rosario” (in competition at the 2011 Shanghai International Film Festival). He has received twenty awards for his works from the Filipino Academy of Movie Arts and Sciences (FAMAS), Metro Manila Film Festival, FAP Awards (Film Academy of the Philippines) and the Young Critics Circle. His other notable works are “Jay” (in competition at the 2008 Venice International Film Festival), “Barber’s Tales” (in competition at the 2013 Tokyo International Film Festival) , “Above the Clouds” (premiered at the 2014 Tokyo International Film Festival) and "Bonifacio: Ang Unang Pangulo" (Metro Manila Film Festival 2015).
He started his training under Filipino Master Cinematographer Lee Briones in 2005. There he learned that “Cinematography isn’t just about skill and technique but also about managing people.” Then in 2007, he was accepted at the Asian Film Academy (AFA) of the Busan International Film Festival and in 2011, he attended the Berlinale Talent Campus. Through AFA, he met his mentor, Thai director Pen-Ek Ratanaruang and had the privilege of training under Iranian director Mohsen Makhmalbaf. In 2008 and 2012, Mendoza returned to AFA by invitation to become one of the assistant cinematography instructors.
In November 2014, Carlo Mendoza together with Malaysian Director Tan Mui Chui was invited by the Busan Film Commission to be one of the Instructors at the ASEAN-ROK Film Incubators: FLY 2014 Workshop in Yangon, Myanmar, a filmmaking workshop for aspiring ASEAN filmmakers. Then in June 2015, he was invited by Finas (National Film Development Corporation Malaysia) to be one of the mentors at the Malaysian Next New Wave Workshop together with Thai director Additya Assarat in Kuala Lumpur, Malaysia.
Carlo made history in the Philippine Movie Industry by being elevated to Hall of Fame status at the Filipino Academy of Movie Arts and Sciences (FAMAS) after winning his 5th Best in Cinematography award for five consecutive years, an achievement no other filmmaker has made. He is now at the same ranks as Eddie Garcia, Nora Aunor, Vilma Santos and Joseph Estrada.
He started his training under Filipino Master Cinematographer Lee Briones in 2005. There he learned that “Cinematography isn’t just about skill and technique but also about managing people.” Then in 2007, he was accepted at the Asian Film Academy (AFA) of the Busan International Film Festival and in 2011, he attended the Berlinale Talent Campus. Through AFA, he met his mentor, Thai director Pen-Ek Ratanaruang and had the privilege of training under Iranian director Mohsen Makhmalbaf. In 2008 and 2012, Mendoza returned to AFA by invitation to become one of the assistant cinematography instructors.
In November 2014, Carlo Mendoza together with Malaysian Director Tan Mui Chui was invited by the Busan Film Commission to be one of the Instructors at the ASEAN-ROK Film Incubators: FLY 2014 Workshop in Yangon, Myanmar, a filmmaking workshop for aspiring ASEAN filmmakers. Then in June 2015, he was invited by Finas (National Film Development Corporation Malaysia) to be one of the mentors at the Malaysian Next New Wave Workshop together with Thai director Additya Assarat in Kuala Lumpur, Malaysia.
Carlo made history in the Philippine Movie Industry by being elevated to Hall of Fame status at the Filipino Academy of Movie Arts and Sciences (FAMAS) after winning his 5th Best in Cinematography award for five consecutive years, an achievement no other filmmaker has made. He is now at the same ranks as Eddie Garcia, Nora Aunor, Vilma Santos and Joseph Estrada.
photo taken by Minda Ponce